Susy Branch and Nick Lansing are typical Wharton heroes: popular, attractive, and much poorer than their “international set� friends. Like Lily Bart in The House of Mirth, the two depend on the largesse of more privileged acquaintances to get by. Recognizing in each other a desire for the finer things in life, they decide to get married and, knowing that their friends will happily provide fabulous accommodations, live rent-free on an extended honeymoon until either one of them finds a better match—at which point they will amicably divorce and sail off into their separate, wealthier sunsets.   But a romantic tour of Europe can confuse even the most mercenary hearts. And when a friend asks for a favor in exchange for the use of her palazzo, Susy and Nick realize that everything in this sophisticated world comes at a price: one that their hearts and consciences may no longer allow them to pay. . .  

HarperCollins is proud to present its new range of best-loved, essential classics. 'I want - I want somehow to get away with you into a world where words like that - categories like that - won't exist. Where we shall be simply two human beings who love each other, who are the whole of life to each other; and nothing else on earth will matter.' Newland Archer, a successful and charming young lawyer conducts himself by the rules and standards of the polite, upper class New York society that he resides in. Happily engaged to the pretty and conventional May Welland, his attachment guarantees his place in this rigid world of the elite. However, the arrival of May's cousin, the exotic and beautiful European Countess Olenska throws Newland's life upside down. A divorcee, Olenska is ostracised by those around her, yet Newland is fiercely drawn to her wit, determination and willingness to flout convention. With the Countess, Newland is freed from the limitations that surround him and truly begins to 'feel' for the first time. Wharton's subtle expose of the manners and etiquette of 1870s New York society is both comedic, subtle, satirical and cynical in style and paints an evocative picture of a man torn between his passion and his obligation.

A charming story of romantic misadventures where a young couple's love is threatened by the power of money, by one of the greatest authors of her age Nick Lansing and Susy Branch are young, attractive, but impoverished New Yorkers. They are in love and decide to marry, but they realise their chances of happiness are slim without the wealth and status that their more privileged friends take for granted. Nick and Susy agree to separate whenever either encounters a more eligible proposition. However, as they honeymoon in friends' lavish houses, from a villa on Lake Como to a Venetian palace, jealous passions and troubled consciences cause the idyll to crumble. In this beautiful novel, Edith Wharton perceptively describes the seductions and temptations of high society with all her trademark wit and irony.

A Backward Glance is Edith Wharton's vivid account of both her public and her private life. With richness and delicacy, it describes the sophisticated New York society in which Wharton spent her youth, and chronicles her travels throughout Europe and her literary success as an adult. Beautifully depicted are her friendships with many of the most celebrated artists and writers of her day, including her close friend Henry James.

In his introduction to this edition, Louis Auchincloss calls the writing in A Backward Glance "as firm and crisp and lucid as in the best of her novels." It is a memoir that will charm and fascinate all readers of Wharton's fiction.

HarperCollins is proud to present its incredible range of best-loved, essential classics. 'Do you remember what you said to me once? That you could help me only by loving me? Well-you did love me for a moment; and it helped me. It has always helped me.' Lily Bart, an attractive young woman living in New York City, relies on beauty and charm to ensure economic survival. Determined to marry into wealth to support her expensive lifestyle, Lily denies her feelings for Lawrence Stern due to his modest income. She turns instead towards young millionaire, Percy Grace. During her pursuit of money and status, Lily becomes the agent of her own undoing. Events take a tragic turn and her reputation is ruined by scandal. She is unwilling to adhere to the standards of New York's social elitism, which leads to devastating consequences. Wharton's stunning and disturbing commentary on the role of women in this irresponsible, hedonistic society will delight those enchanted by her Pulitzer Prize-winning novel 'The Age of Innocence'.

Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil. A novella regarded by Edith Wharton as one of her very best, Summer tells the tale of forbidden sexual passion and thwarted dreams set against the backdrop of a lush summer in rural Massachusetts. A sensation on first publication, its honest depiction of a young woman attempting to live on her own terms remains as vital today as it was in 1917.

Winner of the 1921 Pulitzer Prize, Edith Wharton's The Age of Innocence depicts with masterful irony and nostalgic detail a vanished world-the glittering, elite society of "Gilded Age" New York-at the height of its power and on the brink of its demise. When Newland Archer's comfortable future is thrown into uncertainty by the arrival of the brazenly unconventional Ellen Olenska, subtle consequences unfold as Wharton's characters navigate conflicts of passion and propriety, demonstrating the genius of a great American novelist "at the top of her game" (Ta-Nehisi Coates).

A unique anthology of short stories and poetry by feminist contemporaries of Virginia Woolf, who were writing about work, discrimination, war, relationships and love in the early part of the 20th Century. Includes works by English and American writers Zelda Fitzgerald, Charlotte Perkins Gillman, Radclyffe Hall, Katherine Mansfield, Alice Dunbar Nelson, Edith Wharton, and Virginia Woolf, alongside their recently rediscovered 'sisters' from around the world. This book offers a diverse and international array of over 20 literary gems from women writers living in Bulgaria, Chile, China, Egypt, France, Italy, Palestine, Romania, Russia, Spain and Ukraine.

A bestseller when it was published nearly a century ago, this literary classic established Edith Wharton as one of the most important American writers in the twentieth century-now with a new introduction from Pulitzer Prize-winning author Jennifer Egan. Wharton's first literary success-a devastatingly accurate portrait of New York's aristocracy at the turn of the century-is considered by many to be her most important novel, and Lily Bart, her most unforgettable character. Impoverished but well-born, the beautiful and beguiling Lily realizes a secure future depends on her acquiring a wealthy husband. But with her romantic indiscretion, gambling debts, and a maelstrom of social disasters, Lily's ill-fated attempt to rise to the heights of society ultimately leads to her downfall. From the conventionality of old New York to the forced society of the French Riviera, Wharton weaves a brilliantly satiric yet sensitive exploration of manners and morality. The House of Mirth reveals Wharton's unparalleled gifts as a storyteller and her clear-eyed observations of the savagery beneath the well-bred surface of high society.

One of the titles in an exciting series of beloved, charming and spooky ghost stories, brought to life by legendary comic book illustrator Seth. When Lady Jane Lynke unexpectedly inherits Bells, a beautiful country estate, she declares she'll never leave the peaceful grounds and sets about making the house her home. But she hasn't reckoned on the obstinate Mr Jones, the caretaker she's told dislikes her changes, yet never seems able to be found.

Selected & Introduced by David Stuart Davies. Traumatised by ghost stories in her youth, Pulitzer Prize winning author Edith Wharton (1862 -1937) channelled her fear and obsession into creating a series of spine-tingling tales filled with spirits beyond the grave and other supernatural phenomena. While claiming not to believe in ghosts, paradoxically she did confess that she was frightened of them. Wharton imbues this potent irrational and imaginative fear into her ghostly fiction to great effect. In this unique collection of finely wrought tales Wharton demonstrates her mastery of the ghost story genre. Amongst the many supernatural treats within these pages you will encounter a married farmer bewitched by a dead girl; a ghostly bell which saves a woman's reputation; the weird spectral eyes which terrorise the midnight hours of an elderly aesthete; the haunted man who receives letters from his dead wife; and the frightening power of a doppelganger which foreshadows a terrible tragedy. Compelling, rich and strange, the ghost stories of Edith Wharton, like vintage wine, have matured and grown more potent with the passing years.

Set in the 1870s, the same period as Wharton's The Age of Innocence, The Buccaneers is about five wealthy American girls denied entry into New York Society because their parents' money is too new. At the suggestion of their clever governess, the girls sail to London, where they marry lords, earls, and dukes who find their beauty charming--and their wealth extremely useful.

After Wharton's death in 1937, The Christian Science Monitor said, "If it could have been completed, The Buccaneers would doubtless stand among the richest and most sophisticated of Wharton's novels." Now, with wit and imagination, Marion Mainwaring has finished the story, taking her cue from Wharton's own synopsis. It is a novel any Wharton fan will celebrate and any romantic reader will love. This is the richly engaging story of Nan St. George and guy Thwarte, an American heiress and an English aristocrat, whose love breaks the rules of both their societies.

'The war went on; life went on; Paris went on.' In A Son at the Front, her only novel dealing with World War I, Edith Wharton offers a vivid portrait of American expatriate life in Paris, as well as a gripping portrayal of a complex modern family. The painter John Campton is divorced from the mother of his son, George, and although Julia's second husband, Anderson Brant, a wealthy banker, has been a devoted stepfather to George, Campton resents his presence in George's life. This family drama is ruptured by the outbreak of fighting, which requires George, born in France, to report for military service despite his parents' belief that he should be exempted. Reflecting Wharton's own experiences, A Son at the Front documents the shock of the outbreak of war, the early hope of a quick victory for the Allies, the terrible human cost of the war, and the relief when, belatedly, the United States enters the conflict. The novel's tone reflects the realities of life in Paris, and the profound disillusionment of the post-war period, standing as not only an important part of Wharton's oeuvre, but a landmark in the literature of the First World War.

Winner of the 1921 Pulitzer Prize, The Age of Innocence is an elegant, masterful portrait of desire and betrayal in old New York. With vivid power, Wharton evokes a time of gaslit streets, formal dances held in the ballrooms of stately brownstones, and society people "who dreaded scandal more than disease." This is Newland Archer's world as he prepares to many the docile May Welland. Then, suddenly, the mysterious, intensely nonconformist Countess Ellen Olenska returns to New York after a long absence, turning Archer's world upside down.

This classic Wharton tale of thwarted love is an exuberantly comic and profoundly moving look at the passions of the human heart, as well as a literary achievement of the highest order.

The text has been introduced and thoroughly annotated by the editor for student readers. Backgrounds and Contexts includes selections from Edith Wharton's letters; articles from the period about etiquette, vocations for women, factory life, and Working Girls' Clubs; excerpts from the work of contemporary social thinkers including Thorstein Veblen, Charlotte Perkins Gilman, and Olive Schreiner; and a consideration of anti-Semitism at the turn of the century by historian John Higham. Also included are Charles Dana Gibson's precautionary piece "Marrying for Money" (including four Gibson drawings) and a tableau vivant of "The Dying Gladiator."

Criticism reprints six central contemporary reviews of the novel and six biographical and interpretive modern essays by Millicent Bell, Louis Auchincloss, Cynthia Griffin Wolff, R. W. B. Lewis, Elaine Showalter, and Elizabeth Ammons.

A Chronology and Selected Bibliography are also included.

First published in 1911, Ethan Frome is widely regarded as Edith Wharton's most revealing novel and her finest achievement in fiction. Set in the bleak, barren winter landscape of New England, it is the tragic tale of a simple man, bound to the demands of his farm and his tyrannical, sickly wife, Zeena, and driven by his star-crossed love for Zeena's young cousin, Mattie Silver. "In its spare, chilling creation of rural isolation, hardscrabble poverty and wintry landscape," writes Alfred Kazin in his afterword, "Ethan Frome overwhelms the reader as a drama of irresistible necessity." An exemplary work of literary realism in setting and character, Ethan Frome stands as one of the great classics of twentieth-century American literature.

The four short novels in this collection by the author of The Age of Innocence are set in the New York of the 1840s, '50s, '60s, and '70s, each one revealing the tribal codes and customs that ruled society, portrayed with the keen style that is uniquely Edith Wharton's. Originally published in 1924 and long out of print, these tales are vintage Wharton, dealing boldly with such themes as infidelity, illegitimacy, jealousy, the class system, and the condition of women in society. Included in this remarkable quartet are False Dawn, which concerns the stormy relationship between a domineering father and his son; The Old Maid, the best known of the four, in which a young woman's secret illegitimate child is adopted by her best friend -- with devastating results; The Spark, about a young man's moral rehabilitation, which is "sparked" by a chance encounter with Walt Whitman; and New Year's Day, an O. Henryesque tale of a married woman suspected of adultery. Old New York is Wharton at her finest.

This Norton Critical Edition includes: * The 1905 book edition of the novel, complete with A. B. Wenzell's eight original illustrations. * A preface and explanatory footnotes by Elizabeth Ammons. * An abundant selection of contextual material, including excerpts from Wharton's letters, contemporary reviews, six drawings by Charles Dana Gibson, Thorstein Veblen on conspicuous consumption, Charlotte Perkins Gilman on women and economics, and various others writing about women's place in society at the turn of the century. * Six modern critical views, considering issues of economics, race, materialism, body image, nature and feminism within the novel. * A Chronology and a Selected Bibliography.

A side from her Pulitzer Prize-winning talent as a novel writer, Edith Wharton also distinguished herself as a short story writer, publishing more than seventy-two stories in ten volumes during her lifetime. The best of her short fiction is collected here in Roman Fever and Other Stories. From her picture of erotic love and illegitimacy in the title story to her exploration of the aftermath of divorce detailed in "Souls Belated" and "The Last Asset," Wharton shows her usual skill "in dissecting the elements of emotional subtleties, moral ambiguities, and the implications of social restrictions," as Cynthia Griffin Wolff writes in her introduction. Roman Fever and Other Stories is a surprisingly contemporary volume of stories by one of our most enduring writers.